WORKS IN DEVELOPMENT
A disturbance in mirrors (2022)
for 3 treble voices, Pierrot sextet, and electronics (45-50')
for 3 treble voices, Pierrot sextet, and electronics (45-50')
COMPLETED WORKS
Gates of Harvard Yard (2022)
for SATB choir (4') Composed for the Harvard Commencement Choir and the Harvard Choruses New Music Initiative |
I think I made you up inside my head (2021)
for mezzo-soprano, chamber ensemble, and tape (7’)
for mezzo-soprano, chamber ensemble, and tape (7’)
apart, together (2021)
for solo piano (4’) Composed for Brenda Vongova of the United Nations Chamber Music Society and ARTS FIRST 2021 |
天籟 (sky-sound) (2021)
for TTBB choir and organ (4’) Collaboratively composed with Harry Sage for the Harvard Choruses New Music Initiative |
Refuge (2020)
for SSAA choir (3’)
for SSAA choir (3’)
eryptosis (2019)
for 3 treble voices and tape (10’) |
Planetarium (2019)
for SSAA choir and string quartet (6’) Composed for the Harvard Choruses New Music Initiative and dedicated to the Radcliffe Choral Society for the 120th anniversary of its founding |
Exquisite Corpse (2019)
for flute, cello, and piano (6’)
Composed for Harvard Composers Association Winter Concert
for flute, cello, and piano (6’)
Composed for Harvard Composers Association Winter Concert
something blue (2018)
for string quartet (8’)
for string quartet (8’)
Non Compos Mentis (2017)
for chamber ensemble (8’)
for chamber ensemble (8’)